This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

Join our community for 15% off your first order & freebies

Basket 0

No more products available for purchase

Products
Pair with
Is this a gift?
Subtotal Free
View Basket
Shipping, taxes, and discount codes are calculated at checkout

Art as a form of escapism

Elizabeth Power is an artist and musician. Her paintings summon balmy echos of carefree days, inviting you to lose yourself in luscious scenes packed with vibrant colour. As a mother of two small children, earning a living as an artist holds particular significance, a means to navigate both the demands of parenthood and the importance of creativity in a child's life.

We spoke with Elizabeth about her life as a freelance artist living in the coastal town of Hastings, UK, and how she found renewed drive to create after becoming a parent.

How would you sum up you & your work as an artist, and where do you find inspiration?

My work is all about escapism, memory and trying to create my perfect, tranquil environment. As a mother to two small children, painting is my opportunity to create a world I can dip into, when I need to seek out some calm. My references are usually from places I've been when I felt most at peace, or I paint where I want to be - a fantasy world full of colour, beauty, relaxation and safety. I let out plenty of angst and rage in my music - I'm in a local band, WaveMachine - but when painting I just want solace.

How has becoming a parent changed the way you create. Did you worry it would affect your creativity?

I think if anything it made me more driven to create. I've never felt such a desire to do so, when I'm so time poor.

You can lose huge parts of your identity when you become a mother, so being able to create I think is unbelievably important. I also believe that earning a living from being creative is a fantastic example for my children. I desperately want them to feel they can do whatever they want with their lives. They are both already wonderful artists and it's something I really encourage.

Creativity can often feel at odds with the demands of parenthood. How do you navigate the tension and pressure of making art and raising a family?

It is very at odds, and the thing I find hard sometimes is trying to force myself to be creative in the windows I have, when I might not be in the right mindset.

In london, you're expected to attend art openings and socialise if you want to exhibit with certain galleries etc. When I moved to Hastings I really resigned myself to the fact I couldn't play that game and would have to take matters into my own hands. This is why I started the local art collective Babes In Arms with fellow artist Annie Mackin, to champion artist mothers based in Hastings and make flexible opportunities that worked around parenthood. We have put on our own exhibitions and made our own opportunities. I do find now though, especially as I co parent, that being freelance is my only option. I have no idea how I would navigate a 9-5 office job around parenting and school pick ups. So being an artist, albeit stressful in terms of the pressures of being freelance, does enable me to be flexible with my schedule.

Tell us about your home now, describe the style and how you’ve chosen to decorate it and especially the art you choose to live with and hang on your walls…

So I moved in with my partner and we are slowly making our dream home and mixing our styles! My previous home was Victorian and I loved choosing the colours and really playing to the seaside esthetic. Our home now is more arts and crafts in style and we want to lean into a more Bloomsbury vibe. We have plans to do lots of murals and it will still be very colourful and full of art. My favourite pieces that I live with that I have collected are my ceramics by Kelly Jessiman (friend and incredible artist), a couple of paintings I own by Una Ursprung, Matt Macken and Cathy Tabbakh that I adore, a beautiful framed tapestry by artist and friend Rosie Beard, and a gorgeous painting by Annie Mackin. I have a lot of prints too, my favourite is a depiction of Hastings Old Town by Alfie Caine. I also have a wonderful still life by Aida Wilde. My partner Alice has created some wonderful art which I love (I especially love their sculptures which are surreal and beautiful). We also have some gorgeous pieces by our mother's Sue Wadsworth and Janie Stott that I adore. And lots and lots of art by the kids up everywhere!! We also have a portrait of our cat Pearl painted by my friend Liv Long, which I love.

How have you kept your personal style and taste while creating a family home?

I think for me it's all about how colours sit together, we are both naturally really drawn to greens, pinks and blues, and then other shades to accent them. Basically very similar to the colours in my paintings! I have also painted lots of lampshades and we have handmade cushions around, every room has something handmade and personal, even the grandfather clock was built by a relative of mine!

How do you encourage creativity in your home?

I will always invest in decent art supplies and I make sure we have lots of them accessible at all times in the house. My kids draw everyday and I think it's them at their most content. My studio is also at home, I like being able to dip into work whenever the moment takes me! I need to work around the children and a studio out of the house just doesn't work for me.

How important is it for children to grow up surrounded by art and visual inspiration?

It is so incredibly important, I want it to be their normal, and I think it encourages play, daydreaming and freedom. They already understand the importance and value of art and really respect it too. I often bring them when I drop off paintings to collectors or framers, so they understand where they end up.

Creative homes aren’t always tidy ones. How do you embrace mess, experimentation and making in family life?

It's something I struggle with to be honest, if I lived alone with no children my house would be extremely particular. But I think it's good as it's forced me to not be so rigid. I feel the house needs to be in order before I can then create and be free to make a mess, if that makes any sense at all?! I'm Audhd though so that's just my brain battling it out.

What do you think adults can learn from the way children approach creativity?

They can learn to trust their gut more, and not overthink or over work ideas. I always draw quickly and impulsively, and it's always so much better than if I take too long, you have to create while the idea takes you before any doubt can set in! Create how you would as a child, before critics tell you to make it 'perfect' and embrace imperfections and accidents, it's what makes your work interesting.

You may also like